Irish Architectural and Decorative Studies Volume XI

Volume XI

William Laffan

Volume XI contains contributions from Eileen Black, Patrick Bowe, Anne Casement, Jane Fenlon, Rachel Finnegan, Tony Hand, Michael McCarthy, Michael McCarthy, Jane Meredith and Anna Moran.

Hard times: an episode in the life of the Belfast portrait painter Samuel Hawksett

Eileen Black
Irish civic planting, c.1740–c.1890

Patrick Bowe
Charles Lanyon at Glenarm

Anne Casement
‘Gallwey’s Castle, Carrick’: Edward Cheney’s drawings of Ormond Castle in the early nineteenth century

Jane Fenlon
Bishop Pococke’s improvements to St Canice’s Cathedral, Kilkenny

Rachel Finnegan
‘Doing Everything of Marble wch can be Done with it’: some descriptive accounts of the Kilkenny Marble Works

Tony Hand
Three mausolea and a church: the drawings of James C. Murphy for his book on Batalha of 1795

Michael McCarthy
A ‘good figure’:the story of George Cockburn (1764-1847) as revealed through contemporary letters and papers

Jane Meredith
Merchants and material culture in early nineteenth-century Dublin: a consumer case study

Anna Moran

The Journal of the Irish Georgian Society

Volume XI

William Laffan

Contents

Hard times: an episode in the life of the Belfast portrait painter Samuel Hawksett

Irish civic planting, c.1740–c.1890

Charles Lanyon at Glenarm

‘Gallwey’s Castle, Carrick’: Edward Cheney’s drawings of Ormond Castle in the early nineteenth century

Bishop Pococke’s improvements to St Canice’s Cathedral, Kilkenny

‘Doing Everything of Marble wch can be Done with it’: some descriptive accounts of the Kilkenny Marble Works

Three mausolea and a church: the drawings of James C. Murphy for his book on Batalha of 1795

A ‘good figure’:the story of George Cockburn (1764-1847) as revealed through contemporary letters and papers

Merchants and material culture in early nineteenth-century Dublin: a consumer case study

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